SPECTRE conjure a mystical realm where private-press NWOBHM, dark AOR, and even early deathrock reside: the rocking is measured but not too hard, the melodies are melancholic but not totally depressing, and back on the mic, Spectre’s vocals are somehow anthemic and sagely simultaneously.

The vintage synths color these road/life/space-weary ruminations with tastefully dramatic effect, putting SPECTRE squarely on that precipice between 1979 and 1980, equally excited about and fearful of the future. It’s a subtle refinement altogether, but one that proves there’s plenty of magick still to be mined.

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