The shockingly eerie blackened heavy metal duo is back and continues its path into the grotesque. Normality is surrender!

Now, at long last, comes that second full-length to eclipse all that came before. Titled Dritte Beschwörung: Dem Teufel eine Tochter, HEXENBRETT’s second album is a devilish and drama-filled rollercoaster ride through cult metal and cult cinema alike. Arguably more so than their previous recordings, Dritte Beschwörung: Dem Teufel eine Tochter truly encapsulates their demi-tag of "The Sound of the Bloody Iris," for a wide panoply of sounds and sensations swarm the listener, wrapping them in a wild and bewildering but above all kaleidoscopic headspace that easily avoids simple categorization.

While other bands are usually influenced by heavyweights of heavy metal music like Judas Priest or Bathory, HEXENBRETT take their main inspiration from Euro cult cinema and soundtracks; some of the most important names are Sergio Martino, Jess Franco, Jean Rollin, Bruno Nicolai, and Alessandro Alessandroni. One will readily hear that influence here in the prominent usage of vintage synths as well as chimes – the latter both beautiful and ominous – as readily as one will hear guitar leads that are alternately haunting / heroic. But the salient point is that Dritte Beschwörung: Dem Teufel eine Tochter moves in a most filmic fashion – metallic, sure, but this is far, FAR from your Normal Metal Music.

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